Resources / Links

  • Adams, John, Jane Bacon and Lizzie Thynne (2008) ‘Peer Review in Practice as Research in Performance’, in Practice as Research in Performance (ed. Piccini, A, Jones, S and Kershaw, B), London: Palgrave

  • Adler, J. (2002). Offering from the conscious body, the discipline of authentic movement. Vermont: Inner Traditions.

  • A.S. Byatt,(2008) Memory, An Anthology

  • Bacon, J. (2017). ‘Informed by the goddess: Explicating a processual methodology’, Dance, Movement & Spiritualities, 4:1, pp. 41–55, Bristol: Intellect. doi: 10.1386/dmas.4.1.41_1
  • _______.(2017).‘Authentic Movement as wellbeing practice’, in Dance and Movement for Wellbeing. (eds. Karkou,V., Oliver, S.and Lycouris,S.), Oxford:Oxford University Press, pp.149-164.
  • _______. (2016) ‘Improvising Presence in the Analytic Space’, International Association of Analytical Psychologists, Congress published paper, Kyoto Japan, Aug. 2016
  • ________.(2015). ‘Authentic Movement: a field of practices’ Introduction to guest edited special issue of journal of Dance and Somatic Practices, vol 7.2, 2015, pp.205-216.
  • _________. (2014). ‘Introduction: Choreographic Practices’ (with Vida Midgelow), vol 5.2, Choreographic Practices, Intellect, 2014, pp.3-4.
  • _________.(2014). Review of Jung and Moreno, Essays on the theatre of human nature Ed. by Craig E. Stephenson. International Journal of Jungian Studies, vol 6. No. 3, pp.261-267.
  • ________.(2014). Closer to the Body: Reflections on Skript, (with Midgelow, V.). In Articulations, Choreographic Practices special issue, Vol 5.1., pp. 73-94,Bristol:Intellect.
  • ________.(2014). Creative Articulations Process, (with Midgelow, V.). In Articulations, Choreographic Practices special issue, Vol 5.1, pp.7-31, Bristol:Intellect. 2014.
  • ________.(2013). ‘Embodied and Direct Experience in Performance Studies’, in Contemporary Ethnography and Performance Studies (Harrop and Njaradi, eds). Cambridge: Cambridge Scholars,pp.113-130, 2013.
  • ________.(2013).The Embodiment of Spirit, (unpublished) Dissertation, Independent Group of Analytical Psychologists, London, (2013), (available from the author).
  • ________.(2013).‘Alchemy and the Embodiment of Spirit’ (unpublished) Essay, Independent Group of Analytical Psychologists, London, (2013), (available from the author).
  • _______.(2012)‘Her body finds a voice in an imaginal world’ in Body, Movement and Dance in Psychotherapy journal, Palgrave.
  • _______.(2010) Sitting Practice:Reflections on a Woman’s Creative Process. In Gender Forum, Women and Performance, Issue 31.
  • _______. (2010) The voice of her body: somatic practices as a basis for creative research methodology. In Dance and Somatics Journal, Intellect, Vol 2:1, pp. 63-74.
  • Bacon, J and Richard Wainwright (2007 ‘Poetics, musings and a moving experience’, Society for Dance History Scholars Newsletter
  • Bion, Wilfred (1967) Second Thoughts London: Maresfield
  • Chodorow, J. (1997). C. G. Jung on active imagination. London: Routledge.
  • Chodorow, J. (1999). Dance/movement and body experience in analysis. In P. Pallaro (Ed.), Authentic movement: Essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow (pp. 253–266). London: Jessica Kingsley.
  • Chodorow, Joan (2006) ‘Active Imagination’ in The Handbook of Jungian Psychology, Renos K. Papadopoulos, ed. London: Routledge, pp. 215-243
  • Csordas, Thomas J (1994) ‘Introduction: the body as representation and beingin-the-world’ in Experience and Embodiment ed. Thomas J Csordas: C.U.P
  • Damasio, A. (1994). Descartes’ error: Emotion, reason, and the human brain. New York: Harper Collins.
  • Damasio, Antonio (2000) The Feeling of What Happens, Body, Emotion and the Making of Consciousness. London: Vintage
  • Frantz, G. (1999). An approach to the centre: An interview with Mary Whitehouse. In P. Pallaro (Ed.), Authentic movement: Essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow (pp. 17–28). London: Jessica Kingsley.
  • Friedman, N., & Rapapport, L. (1985). Focusing and bodywork. In The Focusing Connection, May, Vol. III, No. 2, 1–3.
  • Frie, Roger (ed, 2003) Understanding Experience, Psychotherapy and Postmodernism, London: Routledge
  • Gendlin, Eugene T. (1978) Focusing , London: Bantam
  • Gendlin, E. T. (1991). Thinking beyond patterns: Body, language and situations. In B. den Ouden & M. Moen (Eds), The presence of feeling in thought (pp. 25–151). New York: Peter Lang.
  • Gendlin, Eugene T. (1996) Focusing Oriented Psychotherapy, a Manuel of the (Experiential Method. London: Guildford
  • Gendlin, E. T. (1999). A process model. Chicago: University of Chicago Press.
  • Gendlin, E. T. (2003). Beyond postmodernism: From concepts through experiencing. In R. Frie (Ed.), Understanding experience: Psychotherapy and postmodernism (pp. 100–115). London: Routledge.
  • Hillman, James (1990, 1994) The Essential James Hillman, A Blue Fire, London: Routledge
  • Jung, C. G. (1916). The structure and dynamics of the psyche. In Collected Works (Vols. 8) (pp. 131–193). Princeton, NJ: Princeton University Press.
  • Jung, C. G. (1928). The technique of differentiation between the ego and the figures of the unconscious. In Collected Works (Vols. 7) (pp. 341–373). Princeton, NJ: Princeton University Press.
  • Jung, Carl G. (1935) Collected Works, Vol 18., Herbert Read, ed., translated by R.F.C. Hull, London: Routledge
  • Kalsched, D. (2013). Trauma and the Soul, a psycho-spiritual approach to human development and its interruption. London:Routledge
  • _________. (2005).Hope versus Hopelessness in the Psychoanalytic Situation and Dante’s Divine Comedy. Body and Soul, Honoring Marion
    Woodman, Spring A Journal of Archetype and Culture, 72. New Orleans, LN’ Spring,pp.167-188.
  • _________.(1996). The Inner World of Trauma, Archetypal Defenses of the Personal Spirit. London: Routledge.
  • Ogden, Thomas (2005) This Art of Psychoanalysis, London: Routledge
  • Pallaro, P. (Ed.). (1999). Authentic movement: Essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow. London: Jessica Kingsley.
  • Pallaro, P. (Ed.). (2006). Authentic movement II: London: Jessica Kingsley.
  • Pinkola Estés, C. (1992/1996). Women Who Run With The Wolves: Contacting the Power of the Wild Woman. London: Rider.
  • Samuels, A. Shorter, B. and Plaut, F. (1986) A Critical Dictionary of Jungian Analysis. London: Routledge and Kegan Paul.
  • Sassenfeld, A. (2008). The Body in Jung’s Work: Basic Elements to Lay a Foundation for a theory of technique. The Journal of Jungian Theory and Practice Vol. 10, No. 1, 1–13. New York: Jung Institute.

  • Symington, Joan and Neville (1996) The Clinical Thinking of Wilfred Bion. London: Routledge

  • Vick, P. (2002). Psycho-spiritual body in psychotherapy. In T. Staunton (Ed.), Body psychotherapy (pp. 133–147). Hove: Brunner-Routledge
  • Wainwright, R. (2003). Body’s imagination and the body of the world. Paper presented at Re-creating the world. The transformative power of arts and play in psychotherapy, C. G. Jung Society Conference, Sofia, Bulgaria.
  • Whitehouse, M. S. (1999). C. G. Jung and dance therapy: Two major principles. In P. Pallaro (Ed.), Authentic movement: Essays by Mary Starks Whitehouse, Janet Adler and Joan Chodorow (pp. 73–101). London: Jessica Kingsley.

External Links